The Fabled City Review
taken from www.allmusic.com Review by Thom Jurek Rage Against the Machine guitarist Tom Morello returns to the singer/songwriter alter ego he calls the Nightwatchman for 2008's The Fabled City. It needs to be said from the jump that this album stands in radical contrast to the skeletal One Man Revolution issued in 2007. Morello and producer Brendan O'Brien (who has been working with Bruce Springsteen since The Rising) decided on something more ornate than just guitar and voice, because these songs warrant it. Morello is much more a storyteller here: he offers tales of ordinary people trying to make it through another day in America. No heady platitudes, no sloganeering in the refrains, just small narratives that break outside the bounds of song and enter the world. As such Morello has succeeded in growing as a multi-dimensional songwriter and as a singer. These songs, though directly narrated, are as political as on his preceding album, but in a different way: these stories are the narratives of people we know, and often, have been. His America is the one that exists on city streets and in quiet suburbs, in malls and on country roads. The relationship between Morello and O'Brien is mutually empathic, nearly symbiotic. O'Brien resists his grander schemes in favor of organic approaches: some songs have small drum kits, others have a cello or B-3, and some have pedal steel guitars. The tempos and characters shift and change, as do O'Brien's textures. The title track with its big acoustic guitars, drum kit, and bassline ushers the album in with urgency: "Me and Javi /Shouted slogans in Spanish/Like it was our world to win/Then they moved the plant down to Ojeda/Time to bite your tongue again." Later, "an angel sad and old" who lives in an alley behind a market sings for a dollar. Morello's acoustic and the bass get fuzzed up for "Whatever It Takes," along with an urgent rhythmic pulse offering a first person narrative about a soldier who struggles as a proxy and an ally against despair, defeat, and disappearance. On "Lazarus on Down" a nylon-string guitar and a cello usher in the story of the raised biblical character abandoned and alone in Bethany; it features backing vocals by Serj Tankian. "Saint Isabelle" makes an appearance on the song named for her. Fueled by a harmonica, massive acoustic guitars, and a fast tempo, it feels more the like the Pogues doing a reel -- especially with the shouting chorus. She is a fragile and weary saint the narrator intercedes for; he prays for her as she does for his characters. "The Iron Wheel" finds Shooter Jennings lending his vocal to Morello's in a warning not to allow yourself to be crushed by life's challenges or submit blindly to authorities who are slaves to the same process. This is the first political album of 2008 where the people have a voice because the Nightwatchman keeps no critical or journalistic distance. Instead, with infectious melodies and inviting narratives, he invites us to join in, to acknowledge we are not separate from him, his characters, or their stories. With The Fabled City, Morello's growth as a topical songwriter is enormous; he's brought the singer/songwriter into a cultural discussion, a dialogue, where we can dialogue not only about characters (who are treated with dignity as speaking subjects, not merely as objects to hang a tune on) and their struggles, but also with popular music again, as a ready tool for awareness of the world around us. Labels: tom
Musicians Donate Art for War Child International Benefit
LOS ANGELES -- R.E.M., Modest Mouse, Spoon, Death Cab for Cutie, Jarvis Cocker, The Flaming Lips, The Decemberists, Public Enemy, Rage Against the Machine, and Fleet Foxes are just a few of the artists whose handmade signs featured in Under the Radar's Protest Issue will be auctioned off beginning September 30th to benefit War Child International. Earlier this summer, Under the Radar magazine published its Protest Issue, which featured an array of musicians sharing their thoughts on today's political climate. Along with interviews, Under the Radar conducted photo shoots with those artists, each holding protest signs of their own making. Beginning September 30th, Under the Radar will host a 7-day eBay auction of the protest signs featured in the issue. All proceeds will go to benefit War Child International. (www.warchild.us), a nonprofit that helps children in areas of conflict across the globe. This auction provides individuals with an opportunity to purchase a one-of-a -kind piece of art while also contributing to a worthwhile cause. Musicians whose art will be featured in the auction include The Protest Issue's cover stars R.E.M.'s Michael Stipe, Modest Mouse's Isaac Brock, Death Cab for Cutie's Chris Walla, The Decemberists' Colin Meloy, and Spoon's Britt Daniel, as well as Billy Bragg, British Sea Power, Built to Spill, Jarvis Cocker, Death Cab for Cutie, The Dresden Dolls, The Duke Spirit, Elbow, The Flaming Lips' Wayne Coyne, Fleet Foxes, Foals, Michael Franti, Sharon Jones, Talib Kweli, Jamie Lidell, Metric, Moby, My Morning Jacket, Neon Neon, Noah and the Whale, OK Go, Peter Bjorn and John's Peter MorĂŠn, Public Enemy's Chuck D, Rage Against the Machine's Tom Morello, Rilo Kiley, Rogue Wave, Shout Out Louds, Stars, St Vincent, Supergrass, and more. Under the Radar is published by husband and wife Mark and Wendy Redfern and is distributed across North America. To view all the signs up for auction, visit: www.undertheradarmag.com/protestauction.html For a more detailed look at The Protest Issue visit: www.undertheradarmag.com/protestissue2008.html Labels: tom
Michael Moore e-mail
Friends, Let me cut to the chase. The biggest robbery in the history of this country is taking place as you read this. Though no guns are being used, 300 million hostages are being taken. Make no mistake about it: After stealing a half trillion dollars to line the pockets of their war-profiteering backers for the past five years, after lining the pockets of their fellow oilmen to the tune of over a hundred billion dollars in just the last two years, Bush and his cronies -- who must soon vacate the White House -- are looting the U.S. Treasury of every dollar they can grab. They are swiping as much of the silverware as they can on their way out the door. No matter what they say, no matter how many scare words they use, they are up to their old tricks of creating fear and confusion in order to make and keep themselves and the upper one percent filthy rich. Just read the first four paragraphs of the lead story in last Monday's New York Times and you can see what the real deal is: "Even as policy makers worked on details of a $700 billion bailout of the financial industry, Wall Street began looking for ways to profit from it. "Financial firms were lobbying to have all manner of troubled investments covered, not just those related to mortgages. "At the same time, investment firms were jockeying to oversee all the assets that Treasury plans to take off the books of financial institutions, a role that could earn them hundreds of millions of dollars a year in fees. "Nobody wants to be left out of Treasury's proposal to buy up bad assets of financial institutions." Unbelievable. Wall Street and its backers created this mess and now they are going to clean up like bandits. Even Rudy Giuliani is lobbying for his firm to be hired (and paid) to "consult" in the bailout. The problem is, nobody truly knows what this "collapse" is all about. Even Treasury Secretary Paulson admitted he doesn't know the exact amount that is needed (he just picked the $700 billion number out of his head!). The head of the congressional budget office said he can't figure it out nor can he explain it to anyone. And yet, they are screeching about how the end is near! Panic! Recession! The Great Depression! Y2K! Bird flu! Killer bees! We must pass the bailout bill today!! The sky is falling! The sky is falling! Falling for whom? NOTHING in this "bailout" package will lower the price of the gas you have to put in your car to get to work. NOTHING in this bill will protect you from losing your home. NOTHING in this bill will give you health insurance. Health insurance? Mike, why are you bringing this up? What's this got to do with the Wall Street collapse? It has everything to do with it. This so-called "collapse" was triggered by the massive defaulting and foreclosures going on with people's home mortgages. Do you know why so many Americans are losing their homes? To hear the Republicans describe it, it's because too many working class idiots were given mortgages that they really couldn't afford. Here's the truth: The number one cause of people declaring bankruptcy is because of medical bills. Let me state this simply: If we had had universal health coverage, this mortgage "crisis" may never have happened. This bailout's mission is to protect the obscene amount of wealth that has been accumulated in the last eight years. It's to protect the top shareholders who own and control corporate America. It's to make sure their yachts and mansions and "way of life" go uninterrupted while the rest of America suffers and struggles to pay the bills. Let the rich suffer for once. Let them pay for the bailout. We are spending 400 million dollars a day on the war in Iraq. Let them end the war immediately and save us all another half-trillion dollars! I have to stop writing this and you have to stop reading it. They are staging a financial coup this morning in our country. They are hoping Congress will act fast before they stop to think, before we have a chance to stop them ourselves. So stop reading this and do something -- NOW! Here's what you can do immediately: 1. Call or e-mail Senator Obama. Tell him he does not need to be sitting there trying to help prop up Bush and Cheney and the mess they've made. Tell him we know he has the smarts to slow this thing down and figure out what's the best route to take. Tell him the rich have to pay for whatever help is offered. Use the leverage we have now to insist on a moratorium on home foreclosures, to insist on a move to universal health coverage, and tell him that we the people need to be in charge of the economic decisions that affect our lives, not the barons of Wall Street. 2. Take to the streets. Participate in one of the hundreds of quickly-called demonstrations that are taking place all over the country (especially those near Wall Street and DC). 3. Call your Representative in Congress and your Senators. (click here to find their phone numbers). Tell them what you told Senator Obama. When you screw up in life, there is hell to pay. Each and every one of you reading this knows that basic lesson and has paid the consequences of your actions at some point. In this great democracy, we cannot let there be one set of rules for the vast majority of hard-working citizens, and another set of rules for the elite, who, when they screw up, are handed one more gift on a silver platter. No more! Not again! Yours, Michael Moore MMFlint@aol.com MichaelMoore.com Labels: tom
Pop Matters Interview with The Nightwatchman
Tom Morello, lead guitarist of Rage Against the Machine and The Nightwatchman, is rockinâ a guitar riff as the crowd goes wild. His tongue, proverbially speaking, is sticking out at the Berklee School of music in Boston. This is the next to last stop on his âJustice Tourâ. All the proceeds from tonightâs show go toward the fight for universal health care. Morello has assembled two rappers, a local boy-wonder folk singer, and a couple of well known rock bands to play for anyone willing to come out on a rainy Sunday night and shell out $15 for a seat. Morello tells the crowd that he is sick of fans telling him that they can beat him at the video-game Guitar Hero. He promises to blow their minds tonight and the more than mildly suggestive toothsome playing has the crowd in frenzy. The mood back-stage is jubilant and looseâan extended jam session. Iâm sitting on a big black speaker box just out of sight of the audience but about five feet from the drum set, put to good use by a series of small well-muscled men with fast hands and big biceps. They answer to nick names like âMad Dogâ. Gary Cherone from Van Halen wanders up from the dressing room to slap me on the back and watch his friends play. I get the feeling these guys donât really care if there are five people in the crowd, or five thousand. Theyâre on fire. âPEOPLE, are you having a GOOD-MOTHER-FUCKING-TIME?â Morello yells enthusiastically. As he comes off stage, after introducing the next act, he sees me sitting with my notebook open. He walks over to ask, âHow are you doing man? Can I get you water or a whiskey?â Morelloâs second solo album, The Fabled City is out September 30th, along with a documentary movie about the Justice Tour. The timing is not an accident. He is as passionate about politics as he is about music. His background is almost identical to Barack Obamaâs. Morelloâs parents met during Kenyâas struggle for independence. They traveled back to New York, where Tom was born, when his dad became Kenyaâs first black delegate to the United Nations. Soon thereafter his dad returned home to Kenya. His white mom took Morello to rural Illinois to grow up as the only black kid in an all-white town. Morello was the first student from his high school to attend Harvard. His Harvard classmates recall him as the Jimi Hendrix disciple who started the Ivy Leagueâs first heavy metal interest group. I was introduced to Morello by his Harvard roommate, my partner in our venture capital firm. I join Morello and the rest of the musicians on the Justice Tour in Boston. He is wearing mirrored sunglasses, his trademark baseball hat, and black boots with bright red laces. Everyone except Morello has on Converse sneakers. At the Four Seasons, we all pile into a van to ride over to sound-check. Some light rock ânâ roll banter about hookers and drugs breaks out in the confined quarters of the beat up vehicle (which I take to be in jest). Wayne Kramer, sitting next to me, pipes up. âHookers? I was in the fucking gym at nine this morning watchinâ Meet the Press!â I donât let on that I already know that The Motor City Five (âMC5â) was one of the most influential bands during the 1960s, because my own father was a leader in the Civil Rights and Anti-War movement, risking his life in Mississippi in 1964, sending his draft card back to the selective service and helping Daniel Berrigan, a Catholic priest who was one of the ten most wanted men in the country, escape the FBI. MC5âs politics and sound was born out of watching their hometown of Detroit burn to the ground during the summer of love in 1967. Poet John Sinclair formed the White Panther Party (WPP)and named MC5 its official voice. The WPP endorsed the Black Pantherâs agenda fully through âtotal assault on the culture by any means necessary, including rock ânâ roll, dope and fucking in the streets.â | 
We have written frequently about the uprising and repression in Oaxaca in the past several months, and we once briefly mentioned part of the spark for the government crackdown: the high-profile murder of one American. That American was a passionate, adventurous activist and independent journalist named Brad Will.
